It's Complicated...Or Is It?

Warrior. That's what the Cowardly Lion is in comparison with me last week. I'd been hiding from my manuscript since that Monday. More than one hundred pages into a four hundred page rewrite, and I choked - scared off by this one scene. I had outlined it, decomposed it, and placed its elements in my scene table; so I knew exactly what had to be done. But...reveals and irony and subplots - oh my! Could I possibly have made it any more complicated? In this scene, one subplot is in denouement, one is winding down, another is in exposition and the last one is slowly ramping toward its climax. But wait! There's more - dramatic irony is being installed, and the heroine learns a couple of jaw-dropping facts that had never even been hinted at in her version of reality. A turning point of the story, it had to be deftly written - or it would kill any interest in the rest of the book.

The bar was set so high - for me, anyway - that I backed way up to get a good look at the height before attempting to clear it. Then...ooh - look a forest of distractions to lose myself in. Of course, I jumped at the chance to get away. I finished and posted a character sketch of the main antagonist. I had been avoiding it because he's not likable and I didn't think it fit on my blog. Once I patted myself on the back for going ahead with it, I went back to the story and included foreshadowing and subtext for the problem scene in earlier ones. Then I found lots of non-authorly diversions. Movies and dancing and games - oh my! The week flew by and I still hadn't faced writing that scene.

But...it was hard to enjoy having fun (yes, that's what I meant) with the scene continually gnawing at me. So this week, I made myself attack it. I jumped right in without the slightest idea of how I would get out. To my surprise, instead of finding the job way over my head, I found clarity. A single writerly truth that experienced authors already know: No matter how much there is to show, it can only be shown linearly. Then I saw the pattern. What worked for the scene was to show the subplots, dramatic irony and reveals in the order that placed the most emotional tension on the heroine. Duh... So that's how I wrote it. It has taken a fair few iterations to get it just right, but now I'm happy with the way it reads. Whew...no easy button for that one. On to the next...